Another Day in Key West
https://sportliterate.org/wp-content/themes/osmosis/images/empty/thumbnail.jpg 150 150 bjj-sportliterate bjj-sportliterate https://secure.gravatar.com/avatar/592f60292ffae558017e7047d039bebe88be7eca3a999965f3a7f0501ad82d49?s=96&d=mm&r=gAnother Day in Key West
by Jack Ridl
Our houseboat is a little houseboat.
Some here are two stories, three
bedrooms, a roof-top patio garden,
the view taking the eye across
the bight out over the cypress
and onto the Gulf where the tarpon
slow dance and the fishing boats
settle in, lines tossed or dropped.
Those on vacation can rent a charter
and hope to take home a photograph
of their catch, the tough scaled fish,
having fought and given in, now hanging
alongside the smiles. Today again
the clouds will pass over us,
the sun will bring sliding light
across the water, time will bring
its illusion to carve its way
into our ephemeral cells,
and we will sit again on our deck,
the wind chime alchemizing the breeze.
Jack Ridl’s most recent poetry collection, Practicing to Walk Like a Heron, received the Gold Medal from Indie/Foreword Reviews. Broken Symmetry won the best collection award from The Society of Midland Authors. Losing Season was named one of the 10 best sports books of the year. His joy, too, he says, is that more than 85 of his students are now publishing. Two years ago, two of them won major first book awards.









After Midnight
It’s impressive, this blend of generations and genders. The Friday Night League is made up of 19 males and five females. Scores are tight across the board, and the sportsmanship is uncanny. It’s been my experience that competitive sport leagues are often petri dishes for buried hostilities, but there’s not a whiff of sizing-up to be found.
summer, when I saw him in the O.J. documentary, and speaking of his days covering Muhammad Ali for the New York Times. If writers need role models (and why wouldn’t we?), Lipsyte would be one of mine. I shared our Ali-covered “22nd Summer” issue with him and reached out for an interview. His perspective — in a dozen answers to follow — shows he’s a man for all times, past, present, and forthcoming.
RL: That’s a good question I’ve been trying to answer for myself these past 50 years. I was not an avid sports fan growing up, my parents were totally unaware of sports (maybe they knew about Jackie Robinson). They were New York City public school teachers in Harlem and black Brooklyn, whose dinner table conversations were about inequality and the quest for social justice through education. So I came to the Times at 19, as a copyboy, with a flair for feature-writing and not much sports history or x’s and o’s expertise. I got a lot of freedom at the paper, became a columnist relatively quickly, and so picked my own stories, or at least chose the way I would approach them. Being sent to the 1964 Cassius Clay — Sonny Liston fight was the big break of my career, got me attention and set the course. Through Ali and the book I wrote with Dick Gregory (“Nigger”) I met Malcolm and leaders in the movement and solidified the attitude with which I came into sports. It was no deliberate decision for me to see thoroughbred horse racing and NASCAR as models of class in America, it just seemed plain. Look down at floor during a Final Four and see that something like 80 percent of the players are black and they represent 80 percent white schools. I did try to remind myself that sometimes a cigar is just a cigar (I could get interested in courses for horses and restrictor plates), but I think most writers are directed by a GPS deep in their psyches, unless they are just doing shtick.